Music : History & Criticism

A guide to the life, music, and legacy of one of the greatest composers who has ever lived. An illustrated A-Z reference work, it covers Bach's life, the composition of his music, the genres in which he worked, and the performance and reception of his music in his lifetime and since his death. more...

Price: $35.00

Amy Marcy Cheney Beach (1867-1944), the most widely performed composer of her generation, was the first American woman to succeed as a creator of large-scale art music. Her "Gaelic" Symphony, given its premiere by the Boston Symphony Orchestra in 1896, was the first work of its kind by an American woman to be performed by an American orchestra. Almost all of her more than 300 works were published soon after they were composed and performed, and today her music is finding new advocates and audiences for its energy, intensity, and sheer beauty. Yet, until now, no full-length critical biography of Beach's life or comprehensive critical overview of her music existed. This biography admirably fills that gap, fully examining the connections between Beach's life and work in light of social currents and dominant ideologies. Born into a musical family in Victorian times, Amy Beach started composing as a child of four and was equally gifted as a pianist. Her talent was recognized early by Boston's leading musicians, who gave her unqualified support. Although Beach believed that the life of a professional musician was the only life for her, her parents had raised her for marriage and a career of amateur music-making. Her response to this parental (and later spousal) opposition was to find creative ways of reaching her goal without direct confrontation. Discouraged from a full-scale concert career, she instead found her metier in composition. Success as a composer of art songs came early for Beach: indeed, her songs outsold those of her contemporaries. Nevertheless, she was determined to separate her work from the genteel parlor music women were writing in her day by creating large-scale works--a Mass, a symphony, and chamber music--that challenged the accepted notion that women were incapable of creating high art. She won the respect of colleagues and the allegiance of audiences. Many who praised her work, however, considered her an exception among women. Beach's reaction to t more...

Price: $60.00

J. S. Bach's sonatas and partitas for solo violin have been central to the violin repertoire since the mid-eighteenth century. This engaging volume is the first comprehensive exploration of the place of these works within Bach's music: it focuses on their structural and stylistic features as they have been perceived since their creation. Joel Lester, a highly regarded scholar, teacher, violinist, and administrator, combines an analytical study, a full historical guide, and an insightful introduction to Bach's style. Individual movements are related to comparable movements by Bach in other media and are differentiated from superficially similar works from later eras. Lester employs descriptions of historical and contemporary recordings, as well as accounts of nineteenth-century performances and commentaries on historical editions, to explore these works as they evolved through the centuries. Wherever possible, he uses analytic tools culled from eighteenth-century ideas, key notions originally developed for the specific purpose of describing the repertoire under consideration. Beginning with an overview of the solo violin music's place within Bach's oeuvre, this study takes the Sonata No. 1 in G minor as the paradigm of Bach's compositional strategy, examining each movement in detail before enlarging the discussion to cover parallel and contrasting features of the A-minor and C-minor sonatas. Next, a chapter is devoted to the three partitas and their roots in various dance-music traditions. The book concludes with a summary of form, style, and rhetoric in Bach's music, in which Lester muses on these masterpieces with an overall command of the music, criticism, and history of the 1700s that is quite rare among scholars. A novel and unprecedented investigation of a particular portion of Bach's accomplishment and a particular aspect of his universal appeal, Bach's Works for Solo Violin will help violinists, students, scholars, and other listeners develop a deeper persona more...

Price: $60.00

The Beatles are the most successful entity in the history of the entertainment business ever! Fact! And it all didn’t happen by accident. Four working-class lads met up in and around Liverpool towards the end of the 1950s. They spent several years playing around Liverpool and in Hamburg fine tuning their band, performance and song writing before meeting up with Liverpool entrepreneur Brian Epstein and releasing their first album, Please Please Me, forty years ago today (publication day 23 March 2003). During the following ten years they broke every performance and sales record in the book, most notably in May 1964 each and every one of the top five singles in the American Billboard chart was theirs. On top of which they recorded, arguably, three of the best contemporary albums ever released. The Beatles were the soundtrack to the sixties. This Pocket Essential discusses how they met and, using the songs and records as signposts, takes you on a journey through their colourful, historic and celebrated career. more...

Price: $9.99

This guide examines the growth of Bruce Springsteen’s career, from the optimistic youth who wrote Born To Run to the respected heavyweight songwriter of today. Collaborations and side projects, and the work of band members away from E Street are also detailed and rated. more...

Price: $7.99